Among the numerous manifestations of the cultural landscape (in the understanding of natural and cultural symbiosis) we indicate the dynamic “landscape of resistance” as a significant component of the national space. On the basis of recorded express and in-depth interviews, observations, photographs, media, social networks, the assumption was made about the re-actualization of the collective memory of the residents of Irpin region about their own territory as a kind of outpost of the capital during the modern RussianUkrainian war. Among other important elements of the cultural landscape of Irpin region, special locations are the river Irpin and the so-called the Serpent ramparts, which for millennia served as defending barriers from the attackers, and now have performed their function again. In the first quarter of the twentieth century the study of the Ethnographic Commission of the VUAN of this natural and cultural heritage, which was suspended by repression of scientists, was launched. At the same time, the topic of preserving the cultural landscape of Irpin region has not yet been a subject of broad interest for both scientists in Ukraine and local institutions. This led, according to our respondents, to the impunity plowing of unique snake ramparts, the destruction of forests and the construction of floodplains of small rivers. At this time, we have identified only some loci of the space of Irpin region, which have turned into a “landscape of resistance” at the beginning of the Russian invasion, making a dynamic picture and new “places of memory” in this landscape. It is obvious that the first victory near Kyiv, received as a result of the joint powerful resistance of the Ukrainian Armed Forces and local communities, is inevitably etched in the collective memory of both the residents of Irpin region and all Ukrainians. Among all other things, the current events also clearly have shown the strategic importance of the natural and cultural heritage, which should be securely protected by the state and the law.